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Jehanne Dubrow
Holocaust
Studies (an excerpt)
Week One
How to pack for a
death camp? Or even speak of packing for the trip?—with the predictable dark
joke of one-way tickets on a train and a shower at the journey’s end.
I take a plane from New York to Warsaw, a bus ride, a car, and
then, I’m there. The first night in my new bedroom blurs with jet lag. A
bed, a table, a cupboard, a thin curtain to cover the window, and a view of
the highway. This is my home for the next eight weeks, a town that most
people know for its neighboring death camp. In my journal, I write that it’s
both real city and metaphor. But there’s no metaphor in the first meal I
eat: bread and butter and cheese, a glass of black tea, tomatoes fanned out
across the plate. I almost write, tomatoes bleeding on the plate, but such
language would color what tastes like an ordinary meal.
For two months, I work in a museum, giving tours to visitors who
come from almost anywhere in the world but Poland. I am here to help tell
the history of the Jews of one small, Polish town. These Jews no longer
exist. They are the sand at the bottom of the Vistula River. They are sepia
photographs on a wall. In my duties as tour guide, I point to the torn pages
of a siddur suffocating inside its glass case. I tell the story of a
tarnished chanukiah that a Polish farmer dug up from his fields. I sleep at
a boarding house, paid for by the German government and staffed with German
volunteers, eighteen- and nineteen-year-olds who have chosen to work near
the death camp as an alternative to military service. They keep good
records, marking arrivals and departures in a cloth-covered ledger. The
local women who guard the front desk don’t smile when I wish them good day,
Dzień dobry, with the Polish I learned in childhood two decades ago.
Each day, groups of students visit from Cologne, Dusseldorf,
Stuttgart, come to learn about the Shoah, to debate an inheritance of guilt
and responsibility. Workshops are led by Catholic priests. In the evenings,
the German teenagers take turns knocking a small, hollow ball back and forth
across the ping-pong table. They drink from green bottles of beer while
watching the World Cup. A girl hammers out Für Elise on an out-of-tune
upright.
*
The Scholar
I should begin with
her, the first of my American coworkers. Attacked and nearly murdered five
years before, she woke from a coma to discover that the testimony of
survivors—Wiesel, Levi, Delbo—reflected her own sufferings, like a cracked
mirror shining back at her from sixty years ago. Those long afternoons in
her hospital room, in between the nurses’ rounds and the awkward visits of
friends who stuttered then looked away from her bruises, the Scholar read,
devouring books like The Drowned and the Saved, as if the assault had left
her hungry for words. Five years later, as I walk the rooms of the museum
with her, I wonder to myself if she feels completed by the imaginary bite of
lice on her scalp, the touch of blue-black tattoos, the stench of feces and
burning fat.
She likes to repeat that quote from the Talmud, the one
Spielberg made famous in Schindler’s List—He who saves a single life, saves
the entire world. We argue, after she tells me that her pain should weigh as
heavily on the scale as six million’s. She has faced her own Shoah, her own
un-asked for torture. She points to her forehead; the white edges of a scar
are proof that a man once broke her head against the sidewalk. When the
bandages had finally been unwrapped and she had learned to walk outdoors
without flinching at birdsong, her study of the Bible became a new career.
She remained a good Christian but shared in the agony of the Jews. There is
redemption in suffering, she tells me as her mouth twists into a jagged
line.
The Scholar gives her own version of survivor testimony during
tours of the museum. Has she heard of Benjamin Wilkomirski, the man who
transformed his childhood into a fake Holocaust memoir, convincing the world
that he had lived through Majdanek and Birkenau, convincing himself of his
own Jewish soul? I watch as the Scholar fingers the hem of her cotton
blouse, pulling at invisible threads—the tassels on a prayer shawl only she
can see.
*
Week Three
This is a small
town, with small-town prejudices. An American Jew has no business living
here, not even for two months. If, like me, her hair is dark and curly, her
body more rounded than a Polish woman’s, her skin tinged olive; she will
feel the touch of blue eyes following her progress through the marketplace.
Vendors study her hands as she counts out złoty coins to pay for a kilo of
Italian plums. Old women watch her split apart a piece fruit, the careful
way she bites into the green and purplish flesh. Pink babies in their
strollers seem to study her with distrust. They have learned to recognize
the stranger. Perhaps difference is as simple as geometry. Circle, circle,
circle, triangle. Christian, Christian, Christian, Jew. Difference is the
child’s game of duck, duck, goose.
*
The Historian
Or maybe I should
begin with someone else, another colleague. On the streets, among the Polish
pedestrians, she clutches her bird-arms to her sides. I try to imagine her
history but can only come up with what she has hinted at: a childhood of
bologna and Wonder Bread sandwiches, Kraft Macaroni & Cheese, and Sunday
school. In the sunlight, her face is pale as mayonnaise. Her spine curves
like a question mark-curve. I picture her huddling in corners or bending
forward to scrutinize fragile books. She lifts a magnifying glass to her
eyes. Her hands are fair, as though she always wears white gloves.
During our eight weeks in Poland, she talks about her someday
conversion to Judaism. Rubbing her palms together, as if to wash away
invisible crumbs, she describes her plan to visit the mikvah where she will
take the ritual bath, cleaning her skin of its First Communion and the ashen
cross of Palm Sunday. She will step from the water, shimmering in her new
strangeness—the Orthodox Jew, a part of the modern world and yet not.
Until then, it is enough to study other Jews, especially the
victims, the ones who cry their terrible, broken stories on videotape,
willing to be transcribed if only to be heard. She covers her hair with a
scarf and wears a long-sleeved dress on Shabbat. She can be identified as
devout through a gesture at the entrance of a room, the nervous fluttering
of her hand from the silver mezuzah back to her lips. I watch her standing
with the Hasidim who sometimes hurry through the museum as part of their
Shoah tours of Eastern Europe. The Historian smiles when she speaks with the
Orthodox, whose English is tinged with the vowels and consonants of native
Yiddish, the mamloshn, an accent so precious it should be displayed under
glass.
On
a field trip to a nearby town with one of the few remaining Jewish
communities in Poland, she reads from the Torah. Holding a yad, she leads
the silver pointer across parchment with a historian’s worship of artifact,
an eye toward taking notes. I want to shout, a Jew isn’t made through study
alone! I want her to know about the Golem of Prague. Legend describes how a
rabbi shaped the creature from mud and prayer, molding the giant’s body into
life through the work of exaltation. Soul.
For more "Holocaust
Studies," request your copy of Rock & Sling Summer 2008 today.
Copyright
© by Jehanne Dubrow 2008. All rights reserved.
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